[Jordanes do Mar Jônico]

o blu ray q foi lançado que tem fire walk with me e o deleted scenes em high hes, tem no bahia P_rata ?

[Nitro]

o blu ray q foi lançado que tem fire walk with me e o deleted scenes em high hes, tem no bahia P_rata ?

https://thepiratebay.org/search/fire%20 ... 0me/0/99/0

[Nitro]

Ah, você queria um release que tem os dois filmes juntos?

[Jordanes do Mar Jônico]

ou só o fire walk with me em 1080p.

esses ai eu ja tenho


queria ver em true high quality

[Nitro]

ou só o fire walk with me em 1080p.

esses ai eu ja tenho


queria ver em true high quality

https://thepiratebay.org/torrent/106312 ... Ray.X264-A
https://thepiratebay.org/torrent/106475 ... 080p.BluRa

[Jordanes do Mar Jônico]

estou baixando.

achei aqui no pc em 720p que esta sussa até ( quando vi o fire walk with me, vi em 480i ou pior num streaming porco, sei la pq) . Mas estou baixando em full hd pra ver e depois rever o epi 8

[Nitro]

[Khoserken]

Nesse episódio deu para quebrar a cabeça.

[Tigass]

I rest my case

Twin Peaks S03E08 (The White Lodge?)



Imagine uma versão ruim do lugar "bom", em cores ao invés de P&B, um black lodge ao invés de White Lodge
Mulholland Drive (Club Silencio)

[Jordanes do Mar Jônico]

o foda é que a fortaleza que eles estavam, tem todo um aspecto de fortaleza umbralina.


obs: ontem durante um post meu aqui, minha irmã me ligou pra dizer que tinha comprado o livro do Lynch sobre criatividade e etc. Vou demorar pra ler pq tem mta coisa na fila, mas bauduquei com a ideia de confirmar ainda mais o que ele ja disse em palestras, que retira as inspirações e informações em desdobramentos astrais

[Nitro]

Triste que não podemos ver mais o Bowie interpretando o Phillip Jeffries.

[Nitro]

Mas @Tigass

Se passa no mesmo universo de Mulholland, como a personagem da Naomi tá viva?
















































Rsssssssssssssssss

E olha que interessante:

MIKE chama o Bob de "parasita". Isso dá um pouco mais de força para imaginar que aquele "inseto" é ele.

[Nitro]

O anel também é um símbolo em referência àquela criatura, não é?

Bah, Lynch é meio perfeito.

[Nitro]

@Hankey , coloca este ícone mesmo:

Hankey não atendeu.

Invoco @No Life .

[Jordanes do Mar Jônico]

O anel também é um símbolo em referência àquela criatura, não é?

Bah, Lynch é meio perfeito.

e tbm à Coruja ( lembrando que esse desenho tbm tem na caverna)


curiosamente entrei pra postar esse video que vc postou, só que com foco na parte da convenience store

phpBB [video]

no livro fala que o Anel passou por varias pessoas na história americana, inclusive alguns presidentes.



Lynch e Kojima, os caras que conseguem amarrar conteúdos ao longo de 25 anos de história, com a realidade, tudo pensado antecipadamente, com pequenas mudanças e adaptações.

o mais loco é que depois do nível de complexidade de twin peaks, Death Stranding vai ter que ser obrigatoriamente sinistro no enredo e narrativa.

[Jordanes do Mar Jônico]

ja deve ta pipocando isso pela net, mas não vi em lugar nenhum

reparem na similaridade do ruído elétrico-magnético , os postes de luz piscando

phpBB [video]

phpBB [video]

woodsman invadindo Washington state

[Jordanes do Mar Jônico]

muito burro....ouvindo os dois agora é tão obvio, que acho que a maioria percebeu na hora

[.Kiko.]

https://cinematographecinemafilmes.word ... io-8-2017/

Sempre coloco esse blog porque ele faz algumas conexões com a filmografia do Lynch que eu não me lembraria.

Finalmente vi o ep 8 e de fato é muito bom, diferente de tudo o que ele fez na série/filme até então.

E uma notícia ruim: no próximo fim de semana não tem episódio de Twin Peaks.

Volta no dia 9 de julho.

Eu entendi que o inseto seria a Laura, não?

A não ser que fosse um falso cognato (possível), mas a cena do ovo chocando é logo depois do Gigante soltar aquele glóbulo com a essência da Laura na terra

O inseto/sapo certamente é o Bob. Nem a pau que um bicho nojento desses seria algo bom.

Ainda mais que ele entra na garota justamente quando o espírito maligno lá coloca todos pra dormir.

Um cara do neogaf fala o que deve ter ocorrido:

We've seen in previous episodes that denizens of the lodges enter and exit the world through various changes in energy. In 1945, as the first atom bomb ever was successfully detonated, Babylon, the Mother of All Abominations used the opportunity to birth Bob and a host of evils into our world. The White Lodge received an alert and the Giant, caretaker of the Lodge, also uses the breach into our world to send the soul of Laura Palmer into the world to stand against Bob and the evils born into the world. 10 years later, Bob hatches in the desert and possesses his first victim.

[...]

Another small note- the demon frog or whatever it is crawls in through the window, which is exactly how we see Bob entering Laura's room in visions.

Sobre essa Babylon que ele tá falando, é porque um cara do Reddit sugeriu isso:

This isn't a theory. All I'm trying to do with this connection is explore some of the allusions/symbolism/connections that Lynch and Frost are putting in front of us.

Not sure if anyone's posted about this connection. I was listening to the Secret History this morning, and I came to the part about Jack Parsons. They're talking about the rituals he attempted, and someone (I think his colleague) said that he was trying to summon "Babylon, Mother of Abominations". I immediately thought of Mother in the box, and I thought that was kind of interesting.

Then I did a tiny bit of googling about Babylon, and it seems that she was also called "Mother of Prostitutes" - the whore of Babylon. I immediately thought of the American Girl, played by the same actress who played Ronette (a prostitute), and who tells Cooper that mother is coming.

I'm not sure what this was meant to suggest, if anything. Thoughts?

[.Kiko.]

@Nitro não vem curtindo muito a temporada e acho que talvez seja pelo mesmo motivo desse cara aqui do neogaf:

Something I think a lot of people aren't getting when they try to rationalize the disappointment of old fans if that Twin Peaks used to be a character-driven show. One of the things that made Twin Peaks so successful and influential was it's extremely strong characterization.

You were following the characters in Twin Peaks. The lore and the mystery were the backdrop that occasionally reached from the background and gave you a good shake. But first and foremost, Twin Peaks was about the dramatic lives and intersections of a whole town's worth of characters.

Even the season two finale, which people say is the show's weirdest, was character driven. Hawk warned Cooper he has to face his shadow self with perfect courage. Cooper goes in alone to save Annie and a vigilant Harry waits outside for hours. Andy, knowing what is going on over his head, tends to Harry by offering him breakfast rather than ask what's going on. In the meantime, Benjamin Horne is confessing to Donna that he's his biological father. Doc Hayward, in a break from character, reacts violently and throws him into the fireplace while Donna sobs and screams about her paternity. The onus is on Donna's mother for the first time, an inconspicuous character, who suddenly is shaded with a history of betrayal. Audrey Horne chains herself to a bank vault to protest her father's development, Pete and Thomas detonate a bomb, and Leo is trapped beneath a spider cage in Windom Earle's hideout.

The hugest and most palpable difference is that old Twin Peaks focused on people and characters and relationships. It was about what made them hurt and what made them scared and what made them cry. We saw deep into their hearts and souls and cared for them. And when crazy inter-dimensional travel happened, it was still about them. It was still about them and what they wanted and how it was going to affect everyone around them.

New Twin Peaks is not like that at all. We don't get to know any characters. Characters rarely make appearances in consecutive episodes. They don't have deep conversations. Dougie is literally a non-character. That's how polar opposite the show is. The show's protagonist is a vegetable who cannot think, barely feels, and cannot actualize any individual motivation.

The old show had so many funny and charming character moments. It was so quotable. Season 3 has no fish in the percolators.

The reason the new show is leaving me cold and disappointed constantly is because there is no heart to it anymore. It is completely devoid of emotion. There are rare scenes with Albert and Gordon, or Gordon and Denise, but everything else is pure surface-level fuckery based on the lore and no characters.

When every single character you meet is presented as an enigmatic question mark, you can't feel compassion and interest in them. They become set pieces and props for a cosmic mystery. We are regularly meeting people we've never met before and then saying goodbye. Because they don't matter. Only the faceless space demon matters.

I was on board for all manner of twisted ambiguity. I was not on board for an eighteen hour movie with no protagonist.

People laughed, but for me, the best scene of the show is when Bobby sees Laura's picture and cries. Because I know Bobby. I know what he's been through and how Laura affected him. I know why it hurts him and how it takes him back to a person he isn't anymore. We meet Bobby grown up, but that scene makes him a teenager again and it's really sad. Laura Palmer casts a long shadow.

Bizarre trips through the atom bomb, scenes totally detached from character and location, do not make me happy the show came back.

I am trying not to jump the gun. There's still a lot of show left. We'll see how it comes together. But right now, I am perpetually disappointed. No more buddy drama. No more silly side antics. No more love stories. No more character study. Just... something else.

[Nitro]

Onde eu falei que não estava curtindo a temporada?

Os únicos 2 episódios que o Lynch testou minha paciência foram o 5 e 6.